The painting is handmade and produced in the United States, adding to its unique and valuable nature. This original watercolor painting by Eric Swanson is a one-of-a-kind piece of art titled «Pinwheel».
This original watercolor painting depicts a coastal landscape with vased flowers and lemons, creating a vibrant and inviting scene. The medium-sized painting is framed in high quality, adding a touch of sophistication to the artwork. Handmade with precision and skill, this piece captures the essence of coastal living with its detailed watercolor technique. Perfect for art lovers looking to add a unique and eye-catching piece to their collection. Custom Frame from 1910 Frame Works in Memphis, TN – see Pictures – Very NICE art piece. If you like my item but not my price, please reach out make an offer, let’s work something out.
Antique 18th Century Italian Still Life with Flowers in Ripple/Basketweave Frame. Old Masters style still life with flowers oil painting on a black background. Housed in an Italia ripple key frame with basketweave detailing. Reddish undertone on a ebonized wood frame. No signature found on painting. Craquelure is present on canvas. The painting looks like it was placed in newer stretcher bars at one point. Frame is in fair condition with wear consistent with age. Old wormwood holes are present on the frame itself. Please refer to pictures for details. Last three photos were taken in sunlight next to a window. Provenance: private art collector in Tuscany, Italy Size: 18 x 20.5 in
800×600 Normal 0 21 false false false DE-AT X-NONE X-NONE MicrosoftInternetExplorer4 SHIPPING OPTIONS: We ship priority registered regular Austrian mail within 48 hours after your purchase. Usually, shipping with regular Austrian mail takes 10-14 days (USA / Worldwide), 3-7days (Europe) and 1-2 days (Austria). Not depending on us (due to local customs, local post, etc) delivery may take longer. ***OBS: Austrian mail refunds cases of loss or damage with maximum EUR 500. The shipping cost here is for an external full insurance of the item! PROFESSIONALLY PACKED (by Mail Boxes Etc.) and fully insured (INCLUDES INSURANCE OF FRAME) expedited service is available upon request and subject to EXTRA CHARGES. When contacting the seller please refer to item #20343 misept21
Wolf KahnSummer Studio, 2012Signed lower centerPastel on paper9 x 11 1/2 inches Provenance:The artistJerald Melberg Gallery, Charlotte, North CarolinaPrivate Collection, Florida An important member of the second generation New York School, Wolf Kahn is renowned for his luminous, richly colored landscapes. Focusing on such thematic imagery as the tended fields, houses and sturdy barns of New England, Kahn’s work represents a masterful synthesis of illusionistic representation and abstraction. Kahn was born in Stuttgart, Germany, in 1927. As a boy, he studied painting and drawing in Frankfurt. In 1939 his family separated by the Nazi upheaval, Kahn was sent to Cambridge, England, with other refugee children. One year later he arrived in New York City, where he was united with his father, a noted musician. Kahn continued his education at the New York High School of Music and Art, graduating in 1945. During 1946 after a brief period of service in the Navy, he worked under Stuart Davis at the New School for Social Research. From 1947 until 1949, Kahn attended Hans Hofmann’s School of Fine Art in New York. He also spent a summer as Hofmann’s studio assistant in Provincetown. In 1950 Kahn enrolled at the University of Chicago, receiving his bachelor’s degree a year later. After a period of traveling across the continent and working in Oregon as a lumberjack, he returned to New York and resumed painting. In 1956, along with several other of Hofmann’s former students, he helped found the Hansa Gallery, one of the first artists’ co-operative loft galleries. During these years, Kahn was one of several young artists, including Elaine de Kooning and Robert De Niro, who were influenced by action painting but, at the same time, felt the need to reintroduce nature back into their art. Kahn’s early work consists of still lifes and figure studies, which show the influence of Hofmann’s «push-pull» space as well as his gestural energy. However, Kahn’s mature style revolves around the portrayal of un-peopled landscapes in which he combined an expressive chromaticism (inspired by Milton Avery and Mark Rothko) with an emphasis on the dynamics of light and atmosphere. Many describe him as a Luminist, carrying on the 19th century tradition but with a thoroughly modern sensibility. Kahn drew much of his subject matter from the landscape in and around his farm in Vermont, where he spent his summers. Kahn had numerous solo exhibitions, organized by such institutions as the San Diego Museum of Art (1984, 1987), the Munson-Williams-Proctor Institute (1882), the Arts Club of Chicago (1981) and the Rhode Island School of Design Museum (1979). He was also the recipient of many awards and prized, including a Guggenheim Fellowship (1966-67).