The painting has an incorporated 2.25″ silk border surrounding the painting (included in price), and is ready for formal framing. The painting does not have to be matted, as the silk border is considered part of the painting.
This is a print of my one of my own favorite original paintings,Falling Sky. Floating neon trees with bare roots, a little girl swinging on a swing, and a smoking giraffe. this painting has every bit of surrealism in an abstract world.
This beautiful piece of art titled bkcastlqe is an original 8 by 10 inch acrylic painting created by John Woernley It is a stunning representation of a painting and is sure to make a fantastic addition to any collection. The piece was crafted using acrylic painting techniques and is made from high-quality materials that ensure its longevity. Whether you’re a seasoned collector or a new art enthusiast, this painting is sure to impress.
Wolf KahnSummer Studio, 2012Signed lower centerPastel on paper9 x 11 1/2 inches Provenance:The artistJerald Melberg Gallery, Charlotte, North CarolinaPrivate Collection, Florida An important member of the second generation New York School, Wolf Kahn is renowned for his luminous, richly colored landscapes. Focusing on such thematic imagery as the tended fields, houses and sturdy barns of New England, Kahn’s work represents a masterful synthesis of illusionistic representation and abstraction. Kahn was born in Stuttgart, Germany, in 1927. As a boy, he studied painting and drawing in Frankfurt. In 1939 his family separated by the Nazi upheaval, Kahn was sent to Cambridge, England, with other refugee children. One year later he arrived in New York City, where he was united with his father, a noted musician. Kahn continued his education at the New York High School of Music and Art, graduating in 1945. During 1946 after a brief period of service in the Navy, he worked under Stuart Davis at the New School for Social Research. From 1947 until 1949, Kahn attended Hans Hofmann’s School of Fine Art in New York. He also spent a summer as Hofmann’s studio assistant in Provincetown. In 1950 Kahn enrolled at the University of Chicago, receiving his bachelor’s degree a year later. After a period of traveling across the continent and working in Oregon as a lumberjack, he returned to New York and resumed painting. In 1956, along with several other of Hofmann’s former students, he helped found the Hansa Gallery, one of the first artists’ co-operative loft galleries. During these years, Kahn was one of several young artists, including Elaine de Kooning and Robert De Niro, who were influenced by action painting but, at the same time, felt the need to reintroduce nature back into their art. Kahn’s early work consists of still lifes and figure studies, which show the influence of Hofmann’s «push-pull» space as well as his gestural energy. However, Kahn’s mature style revolves around the portrayal of un-peopled landscapes in which he combined an expressive chromaticism (inspired by Milton Avery and Mark Rothko) with an emphasis on the dynamics of light and atmosphere. Many describe him as a Luminist, carrying on the 19th century tradition but with a thoroughly modern sensibility. Kahn drew much of his subject matter from the landscape in and around his farm in Vermont, where he spent his summers. Kahn had numerous solo exhibitions, organized by such institutions as the San Diego Museum of Art (1984, 1987), the Munson-Williams-Proctor Institute (1882), the Arts Club of Chicago (1981) and the Rhode Island School of Design Museum (1979). He was also the recipient of many awards and prized, including a Guggenheim Fellowship (1966-67).
It is in beautiful well kept condition and all the colors are bright. This painting and others belonged to my beloved husband, a.