He exhibited at the Royal Academy in 1915 and at the Paris Salon in 1907. In the Tate Gallery is his Royal Academy painting of 1905 entitled ‘The Morning of Sedgemoor’ depicting the Duke of Monmouth’s rebels resting in a barn before the battle.
Pastel on paper attributed to, or in the school of Arthur B Davies (1862-1928) and reminiscent of the fine small pastels of James McNiel Whistler depicting a kneeling girl holding a small mirror in a meadow filled with small white flowers and butterflies, reflects themes of allegory and introspection that were common in the American Symbolist movement – idealized female figure appears in profile with long hair lifted by the wind, set within a softly rendered landscape of muted greens, browns, and yellow light. Themes of transcendentalism, of contemplation, of self-reflection: a the mirror motif and a quiet natural setting. The work is presented in a gilt frame with a wide mat consistent with early twentieth-century display practices. Artwork is 9” x 12” and frame is 14” x 19”